王郁洋 Wang Yuyang

 

王郁洋出生于1979年,曾经就读于中央美院附中、中央戏剧学院、中央美术学院,现任教于中央美院实验艺术系并在北京居住和创作。王郁洋虽然使用新兴媒介进行创作,却从不强调技术的新奇。他似乎更感兴趣于“过时”的技术、“破坏”美学及物质浪费带来的艺术性。他的作品涉及各种媒介,并充分拓展其内在潜力。他以幽默的、虚构奇观的方式来探究和表述人的身体、经验及认知之间的关系,探讨人造现实、媒体、历史感知与身体认同之间的关系。他的作品在中国及欧洲的主要展览和艺术节上均有展出。

WANG Yuyang was born in 1979. He studied at the China Central Academy of Drama and the Central Academy of Fine Arts. He has taught at the School of Experiment Art at the Central Academy of Fine Arts since 2008 and lives and works in Beijing. WANG Yuyang creates works using emergent media but does not deliberately emphasize the novelty of technology. He is more interested in the artistry brought about by “outdated” technology, “destructive” aesthetics and material waste. His work has employed all possible media. He uses humor, fiction and spectacles to explore and reflect upon the relationship between the human body, experience and cognition. At the same time he also investigates the relationship between artificial reality, media technology and historical perception. His work has been shown in major exhibitions and art festivals in China, Europe and the United States.

李振华 Li Zhenhua

执行总监

1996年开始从事艺术工作,涉及展览策划、艺术创作和项目管理领域,现担任瑞士保罗克利美术馆夏日学院推荐人(2010年至今),瑞士Prix Pictet摄影节推荐人(2010年至今),2014年担任英国巴比肯中心(Barbican Centre)国际展览《数字革命》(digital revolution)的顾问。2015年担任澳大利亚新媒体生物艺术中心SymbioticA顾问,香港录影太奇顾问等。

CEO

Li Zhenhua has been active in the artistic field since 1996, his practice mainly concerning curation, art creation and project management. Since 2010 he has been the nominator for the Summer Academy at the Zentrum Paul Klee Bern (Switzerland), as well as for The Prix Pictet (Switzerland). He is a member of the international advisory board for the exhibition “Digital Revolution” held at the Barbican Centre in the UK in 2014, a member of the international advisory board for SymbioticA and Videotage in 2015.

沈宸 Shen Chen

1988年生,先后在北京大学、香港中文大学、美国匡溪艺术学院学习并获得国际政治法学学士、新媒体理学硕士及摄影纯艺术硕士学位。目前工作于北京三影堂摄影艺术中心并负责展览及学术项目。参与策划并执行“2015年度第七届三影堂摄影奖作品展”及“第二届三影堂实验影像开放展”等。

Born and raised in China, Chen Shen is a photographer and curator currently based in Three Shadows Photography Art Centre, Beijing. Curated exhibitions include “The 2015 7th Three Shadows Photography Award Exhibition” and “The 2nd Three Shadows Experimental Image Open Exhibition”. He holds a MFA in photography from Cranbrook Academy of Art, Michigan; a M.Sc. in New Media from The Chinese University of Hong Kong, Hong Kong; and a B.A. in International Politics from Peking University, Beijing.

马楠 Ma Nan

马楠
现居杭州

2012至今 中国美术学院,当代艺术与社会思想研究所在读博士生
2009至2012 中国美术学院,视觉文化研究专业硕士
2001至2005 西安外国语大学,英语语言文学专业学士

2015年4月至5月 翻译威廉·肯特里奇哈佛演讲文集《绘画六讲》,将由北京联合天际出版公司出版;
2014年3月至11月 策划, “TOP15 研究生卓越人才调研培养项目”,获浙江省财政教育专项资金支持;
2014年10月 策展组,“我们在绘画中:中国油画国美之路”展览及全国美展国际学术论坛的组织和策划;
2014年12月 翻译世界艺术史丛书之《世界戏剧简史》,广西美术出版社将于2015年出版;
2014年1月 策展人, “看不见的手:策展作为姿态”中央美术学院美术馆双年展“博物馆地下室”;
2014年至今 翻译并编辑 《参与性艺术》一书;
2013年10月 总导演, “云戏剧:上海奥德赛”,上海“西岸建筑与当代艺术双年展”;
2013年9月及10月 策展人,“会通履远:重访林风眠之路”展览,广东,广州风眠艺术中心;中国美术学院85周年校庆,“无墙的学院”之“会通履远:重访林风眠之路”展览;
2013年1月 策展人,“绿盒子:媒体现实的空间”,杭州天鸿媒体城市研发中心 ;
2011年11月 导演,“五谷杂粮”艺术节“万能机器人”多媒体剧场;
2011年4月至12月 联合策展人,“杭州声纳”系列声音艺术及多媒体演出;
2010年9月 助理策展人,“巡回排演”第八届上海双年展。
2009年至今 研究翻译查尔斯·霍普,史明理,约翰·哈特,米歇尔·霍克曼,奥斯卡·施莱默,柯律格等多人的多篇文章和演讲,在《新美术》等学术期刊发表;


MA Nan
Lives in Hangzhou

Education:
2012 till now, Ph.D candidate, Institute of Social Thoughts and Contemporary Art, China Academy of Art.
2009- 2012, M.A. Department of Visual Art Studies, China Academy of Art,
2001- 2005, B.A. English Literature and Culture, Xi’an International Studies University.

Projects:
April to May 2015, Translator, Six Drawing Lessons of William Kentridge, will be published by United Sky New Media,
March to November 2014, Curator, art survey and exhibition project “TOP15 Outstanding Young Artists and Designers of Zhejiang Province”, sponsored by the Zhejiang Province,
October 2014, Member of curatorial team, oil painting exhibition “Living Through Painting: The Journey of Oil Painting in China Academy of Art”, Hangzhou,
December 2014, Translator, The Theatre: A Concise History, will be published by Guangxi Arts Publishing House,
January 2014, Curator, biennale of CAFAM “The Museum Cellar” of “The Invisible Hand”, Beijing,
2014 to now, Translator and editor, Participation,
October 2013, Director, multi media theatre “Shanghai Odyssey” of “West Bund: Biennale of Contemporary Art and Architecture”, Shanghai,
September and October 2013, Curator, exhibition “Revisit the Road of Lin Fengmian”, collaboration with China Academy of Art and Lin Fengmian Art Space, Guangzhou and Hangzhou,
January 2013, Curator, art exhibition “Green Box: the Space of Media-Reality”, Tianhong Media-City Research Centre, Hangzhou,
November 2011, Director, multi-media theatre, “Rossum’s Universal Robots” of Compressed Art Festival, Hangzhou,
April to December, 2011, Co-curator, multi-media performance series “Hangzhou Sonart”, Hangzhou,
September 2010, Assistant to Curator, 8th Shanghai Biennale “Rehearsal”, Shanghai.

蔡萌 Cai Meng(Tsai Meng)

蔡萌,出生于1978年,美术学博士,中央美术学院副教授。现工作于中央美术学院美术馆学术部,并兼任《大学与美术馆》副主编。曾供职于中国艺术研究院。曾任广东美术馆项目总监。策划过的展览包括:“第三届广州国际摄影双年展”(广东美术馆,2009年)、“景观·静观:中国当代摄影展”(中央美术学院美术馆,2009年)、“首届CAFAM未来展—亚现象:中国青年艺术生态报告”(中央美术学院美术馆,2012年)、“中国当代摄影2009-2014”(上海民生现代美术馆,2014)、“第二届CAFAM未来展—创客创客:中国青年艺术的现实表征”(中央美术学院美术馆,2015年)等。

Cai Meng(Tsai Meng), born in 1978, Ph.D. (Art History), Associate Professor of China Central Academy of Fine Arts.
He currently works at the curatorial research department of the CAFA Art Museum. At the same time, he has been a deputy editor at the University and Art Museum. He previously worked at the Chinese National Academy of Arts, and had been a project director at the Guangdong Museum of Art.
The exhibitions he once curated include: “2009 Guangzhou Photo Biennial” (Guangdong Museum of Art, China, 2009), “Spectacle and Gaze: Exhibition of Contemporary Photography in China” (CAFA Art Museum, China, 2009), “The First ‘CAFAM · Future’ Exhibition — Sub-Phenomena: Report on the State of Chinese Young Art” (CAFA Art Museum, China, 2012), “Chinese Contemporary Photography 2009-2014” (Minsheng Art Museum, China, 2014), “The 2nd ‘CAFAM · Future’ Exhibition — Observer Creator: The Reality Representation of Chinese Young Art” (CAFA Art Museum, China, 2015), etc.

刘畑 Liu Tian

劉畑長期致力於「研究-創作」的共同推進,工作貫穿策展、作品創作、理論研究及寫作。2006年起,作為策展人策劃了眾多學術性展覽,包括:首屆上海當代藝術博物館青年策展人項目優勝項目「大地備忘錄」(2014)、「西岸2013:建築與當代藝術雙年展雙年展」藝術助理策展人、戲劇特展暨開幕演出「雲戲劇-上海奧德賽」總導演(2013)、「關於某物的報告:吳山專&英格•斯瓦拉•托斯朵蒂爾」(2013)、「綠盒子:媒體現實的空間」(2013)、「青年志業—8090浙江青年藝術作品展暨當代青年藝術生活調研」(2012)、「涉世說新語:杭州年輕藝術家調查展」(2009)、「新民間運動——公共生活的重建」(2006)等。
同時,以藝術家身份參加了大量國內外展覽,包括:「重新發電:第九屆上海雙年展」(2012)、第三屆「以身觀身─中國行為藝術文獻展」(2012)、「圖像•載體:媒體藝術實驗展」(2009)、「為什麽去那裏?——關於西藏題材的繪畫調查」(2007)、「DNA亞洲設計年展」(2006)等。
2009年,發起當代青年藝術-問題調查項目,至今已完成一系列展覽、工作坊、調研報告和出版。2010年,創建獨立研究-創作機構「開放問題研究所(Open Matter Institute)」,開展廣義的研究、創作和策展工作,也是進行跨學科發動的開放平台。现为中國美術學院跨媒體藝術學院當代藝術與社會思想研究所在讀博士,當前的研究聚焦於「媒體-現實」方向。


Liu Tian researches into topics relate to artistic creation, curating, writing and visual culture.
Since 2006, he has curated exhibitions, including Memorandum for Gaia-The 1st PSA Emerging Curators Program (2014), What A Form: A Reportage-Wu Shanzhuan and Inga Svala Thórsdóttir(2013), West Bund 2013: A Biennial of Architecture and Contemporary Art (assistant curator, 2013), Cloud Theatre-Shanghai Odyssey (director, 2013), Greenbox: The Space of Media Reality (2013), Youthing the Ideal Will-8090 Artists of Zhejiang Province/Research: Art&Life of Contemporary Young Generation (2012) and New Folk Movement—The Reconstruct of the Commonality Living at The 2nd Songzhuang Art Festival (2006).
As an artist, he has participated in Reactivation: The 9th Shanghai Biennale (2012), The 3rd Inward Gazes: Documentaries of Chinese Performance Art (2012), ‘Images & Vehicle: An Experimental Exhibition of Media Art’(2009), ‘Why go to Tibet? – Survey of Tibetan Subject Matter in Painting’(2007) , and Design Network Asia (2006), among others.
In 2009 Liu launched the Contemporary Youth Arts Research Project, which to date has undertaken a series of exhibitions, workshops, research papers and publications. In 2010, he established Open Matter Institute , an artistic independent research and creative project. His a Ph.D candidate from the Institute of Contemporary Art and Social Thoughts, School of Inter-Media Art, China Academy of Art and his current research focus is on ‘media reality’.

周逸 Zhou Yi

资深媒体人,现任《VISION青年视觉》艺术版总监。

2012——2014年,开创性地为VISION杂志创立“纸上展览”项目,在三年时间里,携手国际策展人,策划了30多场纸上展览,引发展览与媒介关系的新思路。
2014年10月,在西安“沉浸之境”项目中,策划“VISION-12时区”单元——用多媒体手段全方位展示一本杂志的历史与现在,邀请观众走入展厅,体验触觉、听觉和视觉的交汇。
2015年开始,开辟新的跨界艺术项目“TAGGING ART”,邀请来自世界各地的艺术家、设计师、建筑师、摄影师、美食家等,加入一场跨国界、跨媒介的艺术接龙游戏。项目仍在进行中。

Yi Zhou is a senior media professional and currently art director of VISION Magazine.

Yi Zhou innovatively initiated “Paper Exhibitions” project for VISION Magazine. From 2012 to 2014, Zhou collaborated with international exhibition planners to hold more than 30 printed exhibitions, which provided a new perspective to think about connections between exhibitions and media.

In October 2014, Yi directed “VISION-12 Time Zone”, a unit included in “In the Scene”, which took place in Xi’an. The unit used multimedia tools to thoroughly showcase the past and present of a magazine. The unit invited the audience to walk into the exhibition rooms to experience a combination of touch, hearing, and visual.

Starting from 2015, Yi launched a new interdisciplinary art project titled “TAGGING ART”, which invited international artists, designers, architects, photographers, and gastronome to join a cross-border and cross-media art game that can be passed on. The project is still ongoing.

徐文恺 Aaajiao (Xu Wenkai)

http://eventstructure.com/

aaajiao是徐文恺的网络化名,aaajiao代表了他媒体艺术家、自媒体、网络活动家等诸多身份。aaajiao于1984年生于西安,就像这个年份——1984年也是奥威尔同名小说的标题——和地点所象征的巧合,他的作品充满了强烈的科技的想象以及文人情怀。不少aaajiao的作品都切中了今天互联网相关的新思维、议题以及现象,其中不少项目都探索了数据处理、自媒体领域以及信息过滤。aaajiao近期的创作中的跨领域协作(建筑、电子音乐、表演、产品设计、医学等)都无疑都聚焦于今天消费网络技术、生活于社交媒体中的青年一代。

aaajiao的作品频繁展出于国内外的诸多展览,其中包括《齐物等观——国际新媒体艺术三年展》,中国美术馆,北京(2014);《PANDAMONIUM 又一次发声 ——来自上海的媒体艺术》,Momentum,柏林(2014);《西岸建筑与当代艺术双年展》,上海(2013);《平行世界》,录映太奇,香港(2011);《转译媒体节》,柏林(2010),等等。2014年底,他不仅荣获第三届三亚艺术季暨华宇青年评审大奖,亦入围首届OCAT皮埃尔•于贝尔奖并在2015年获得第九届AAC年轻艺术家提名奖。

aaajiao, is the online handle of Xu Wenkai, a Shanghai-based new media artist, avid blogger and free thinker.

Born in 1984, aaajiao grew up in Xi’an, the ancient capital of Qin and Han Dynasty known for the Terracotta Army. The year of 1984, coinciding with George Orwell’s dystopian masterpiece, seems to explain the perfect alignment between the vivid SciTech-driven imagination and the sometimes-poetic sophistication, frequently seen as the main theme of aaajiao’s work. Many of aaajiao’s works tap into the most current trends of thoughts around the Internet sphere, with a focus on the emerging controversies and phenomenon related to data processing, blogsphere/wemedia and filtered information. In his most recent projects, the artist has adopted a more extended scope of practices, borrowing elements from architecture, electronic music, performance arts, product design, even medicine, to portray the young generation harnessing the power of cyber technology and the ever-present social media.

Being one of the most frequently exhibited Chinese new media artists, aaajiao has been featured in both international and domestic scenes. Highlights include: “Thingworld, International Triennial of New Media Art Beijing”, The National Art Museum of China, Beijing (2014); “Pandamounium”, Media Art from Shanghai, Momentum, Berlin (2014); The West Bund Architecture and Contemporary Art Biennale, Shanghai (2013); “One World” Exposition – Chinese Art in the Age of the New Media, Videotage, Hong Kong (2011); Transmediale, Berlin (2010), etc. aaajiao is a winner of the Jury Prize from Art Sanya Awards 2014, a nominee of OCAT – Pierre Huber Art Prize, and most recently, a nominee of the “Young Artist of the Year” of 9th “Award of Art China”.