刘畑 Liu Tian

劉畑長期致力於「研究-創作」的共同推進,工作貫穿策展、作品創作、理論研究及寫作。2006年起,作為策展人策劃了眾多學術性展覽,包括:首屆上海當代藝術博物館青年策展人項目優勝項目「大地備忘錄」(2014)、「西岸2013:建築與當代藝術雙年展雙年展」藝術助理策展人、戲劇特展暨開幕演出「雲戲劇-上海奧德賽」總導演(2013)、「關於某物的報告:吳山專&英格•斯瓦拉•托斯朵蒂爾」(2013)、「綠盒子:媒體現實的空間」(2013)、「青年志業—8090浙江青年藝術作品展暨當代青年藝術生活調研」(2012)、「涉世說新語:杭州年輕藝術家調查展」(2009)、「新民間運動——公共生活的重建」(2006)等。
同時,以藝術家身份參加了大量國內外展覽,包括:「重新發電:第九屆上海雙年展」(2012)、第三屆「以身觀身─中國行為藝術文獻展」(2012)、「圖像•載體:媒體藝術實驗展」(2009)、「為什麽去那裏?——關於西藏題材的繪畫調查」(2007)、「DNA亞洲設計年展」(2006)等。
2009年,發起當代青年藝術-問題調查項目,至今已完成一系列展覽、工作坊、調研報告和出版。2010年,創建獨立研究-創作機構「開放問題研究所(Open Matter Institute)」,開展廣義的研究、創作和策展工作,也是進行跨學科發動的開放平台。现为中國美術學院跨媒體藝術學院當代藝術與社會思想研究所在讀博士,當前的研究聚焦於「媒體-現實」方向。


Liu Tian researches into topics relate to artistic creation, curating, writing and visual culture.
Since 2006, he has curated exhibitions, including Memorandum for Gaia-The 1st PSA Emerging Curators Program (2014), What A Form: A Reportage-Wu Shanzhuan and Inga Svala Thórsdóttir(2013), West Bund 2013: A Biennial of Architecture and Contemporary Art (assistant curator, 2013), Cloud Theatre-Shanghai Odyssey (director, 2013), Greenbox: The Space of Media Reality (2013), Youthing the Ideal Will-8090 Artists of Zhejiang Province/Research: Art&Life of Contemporary Young Generation (2012) and New Folk Movement—The Reconstruct of the Commonality Living at The 2nd Songzhuang Art Festival (2006).
As an artist, he has participated in Reactivation: The 9th Shanghai Biennale (2012), The 3rd Inward Gazes: Documentaries of Chinese Performance Art (2012), ‘Images & Vehicle: An Experimental Exhibition of Media Art’(2009), ‘Why go to Tibet? – Survey of Tibetan Subject Matter in Painting’(2007) , and Design Network Asia (2006), among others.
In 2009 Liu launched the Contemporary Youth Arts Research Project, which to date has undertaken a series of exhibitions, workshops, research papers and publications. In 2010, he established Open Matter Institute , an artistic independent research and creative project. His a Ph.D candidate from the Institute of Contemporary Art and Social Thoughts, School of Inter-Media Art, China Academy of Art and his current research focus is on ‘media reality’.

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